|
Post by Kirree on Apr 24, 2004 11:34:12 GMT -5
Source: A Dreamer's Companion by Stephen Phillip Policoff In the next few posts, I've reproduced some breif poems and stories based on dreams to give you a quick glance at how your dreams can feed your creative writing. Read them and then try it yourself. Remember, creativity isn't about the product; it's about the process. You may not come up with anything that you like at first, but as with any new exercise, you can get good at it if you keep pushing - and keep dreaming! ~*---------*~ The process of falling asleep and dreaming is itself an intriguing area to explore creatively. We all know how strange the border between waking and sleep can feel - why not try to capture it in words (or in color or in sounds)? In this first poem, the author compares the time before we fall asleep to the calm before a storm, a time when senses are heightened and the universe seems more alive. rising storm catches dream sitting alone in wet buggy night watching the cat-eye moon cast shadows of haze upon the grass in my yard. i see fog ghosts arise and dance high above the trees while winds part lips (and whisper) about the coming of the storm and drifting between sleep head heavy life rocks catching waves. I listen to the buzz of mosquito bodies (turning to dust) and the splash of the sprinkler washing them away. ~ Amy Garbo
|
|
|
Post by Kirree on Apr 24, 2004 11:45:35 GMT -5
The act of remembering dreams - or trying to remember them, failing to remember them, or feeling like that dream memory is just the tip of your mind - is also a useful subject for poetic exploration. Famous dead authors like Edgar Allan Poe and Samuel Taylor Coleridge are celebrated for poems that seek to recapture the elesive romance of dream life. But you don't have to be famous (or dead) to try it yourself. In this peice, the poet conjures up a lost world that is personal yet contains some familiar dream archetypes as well. Droplet I had forgotten about you, the joys you bestowed, the precious hours we spent together. when I was alone I forgot all of my dreams when I dived into those painful pictures vividly drawn in my head. Take me back again, I beg, steal me to that land where trees are black, the sky green and red rivers flood their banks. Let us ride that white horse of feathers, let us fly the unreachable clouds. Let me fall asleep amongst yellow tulips on blue sand. I will close my eyes and restore that blanket that transformed into a shining white angel with hair of gold. Untouched by day, a knight by night you will absorb my soul. Drowned and without body I'll float now I am light as a droplet. I can see my rusted green fairies with their light pink hair. I can feel my silken robe liquifying with the air. The castle covered with fern now stands, her gates open to me. She will sing Ovid's poetry while I travel her hands. I am asleep on the bed below, his velvet surrounds shivering souls. I bathe in a lake of silver tears and with creatures unseen, unknown, eat grapes on her soft lavender shore. The fairies dance farewell when you come down from your clouds. And I sleep last time amongst soft grass. last lime breathing your breath. ~Pelin Batu
|
|
|
Post by Kirree on Apr 24, 2004 11:55:25 GMT -5
The next writer often uses her dreams in writing poetry, though the poems are not necessarily about the dreams themselves but about images and ideas and ways of looking at the world that her dreams help clarify for her. In "Feverish," the poet has taken several dream images (mermaids, a dog, an angry father) from different moments in her life and woven them into an hallucinatory poem. Feverish In third grade I used to draw pictures of beautiful mermaids with huge sparkling tails but I lived on land in my backyard, in the city. My teacher said that they lived in water where they could swim free and I told him no, that sometimes they get tired. Sometimes, when the night is dark and the sea is deep, deep blue mermaids crawl out onto land, flipping their emerald tails against the beach. They slither out of the water because they cannot bear to swim anymore. They tire of being mermaids. My teacher told me whales do that same thing fling themselves onto the sand. He said they died when they did that. Dogs sense anger. When the room is filled with screaming, they curl up with their tails and whimper sympathetically. My father explained that to me and while he was smoking at the kitchen table I started to argue about the dog's sixth sense. We fought and he stood up with his hands on the back of the chair. The dog barked and jumped at the window aching to get out A bulging vwin in your forehead crawling right up the middle means you are a genius. If you lean up close to someone and feel the blood running through the smooth frontal skin it should be considered very carefully and reverently. Yesturday you help me up, off the floor so that my wet tail did not scrape against the cracking tile, You said you were going to carry me back to sea. And for a second my cheek was close to your forehead. I was afraid that vein would burst. You were wonderful, wanting to help me live but I guess you haven't heard about mermaids' passion for resting their bodies on land. You pleaded that I go back with you to the fresh blue ocean. While I slowly breathed air never meant for me, my dog whimpered at your kindness.
|
|
|
Post by Kirree on Apr 24, 2004 12:04:57 GMT -5
About the following poem, the author recalls, "I went into New York and saw this exhibit of Edward Hopper paintings. They were really bleak and powerful, with all these amazing faces. That night, I dreamed about the paintings, and the dream became this poem." When Edward Spoke "I'm tired," he said. "These woman are killing me. Let me tell you." The one who will not look up from her cup of tea; whose hat is a morose frown on her small hand, dropping down over her thoughts like a rainbow over a forsaken child, The one who turns away from her lover while he thrashes to sleep; who dresses too quickly after making love - afraid of the moonlight and the tender curves of her arms that may again reach out for him. And more than anything the one who will not turn her head, whose face is never known; whose hands are folded just so, keeping her breasts a perfect secret. The one who will not turn her head; whose attention is not on me whose lips are smeared with the rouge of loneliness. And when you enter this city you can see the shadow of a tunnel, the side of buildings. But these women you cannot imagine, do not even remember until you are peeking through a glass window at suppertime. Your own wife cooking at home waiting for you to return And you are lost here. "I am so happy," he said, "that everyone else seems sad to me. But at night I am alone. There is silence There is stillness. And I murmer to myself that the moon is like a mad woman rising from her tomb searching to find lovers as I am searching to forget lovers. It is then I am afraid that I have neve been happy, rather so miserable that I have misplaced my joy." And he switched off the light. ~ Michelle Tupko
|
|